Angelos (1953)
Angelos perceives reality as a divine creation. For this reason he avoids its alteration. What interests him above all is her beauty and he portrays it in his work.
In this case, a perfect technique is required, which will highlight every detail and contribute to its spiritual regeneration. For Angelos the world is a Miracle, which means that it is already a transcendent, spiritual phenomenon.
Mainly the sky shocks the painter, while Light as well as Darkness, Day and Night contribute to the emergence of a bipolar world that is both a symbol and a reality.
Angelos, beyond any experimentation and mannerisms, overcomes the trap of the Contemporary, remaining in search of the Eternal and in general the Timeless without being bound by standardized prejudices.
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Professor Stelios Lydakis, Athens, April 2021